There are huge benefits to promoting affiliate programs through your own Internet business based at home. Let's look at 15 of the best reasons to join affiliate programs. 1 .- Production Costs: The cost of developing and producing a new product is a very complex work for almost anyone who wants to start a home business. With affiliate programs, production costs are not a problem. The product was developed and tested by the merchant. 2 .- Initial Low Cost: Compared with the construction of a traditional business, the internet business start a home based on relatively cheap. You probably already have a desk, a computer connected to the Internet and word processing software, which is all the equipment you might need to start earning easy money with affiliate programs. 3 .- There are no fees or Licenses: I often compare doing business as an affiliate, with distributing a line of products in the real world.
The biggest difference is that the distributor is often to pay for a license to distribute products within a limited geographic region (market reach). Affiliate programs, however, are generally free to join, and geographically is limited only by the ability to promote your affiliate website. 4 .- Sell almost anything online: What does not sell? This list must be shorter than that describes everything that can be sold online. There are thousands and thousands of affiliate programs for the sale of each product. That makes it very easy to find products related to your current or planned web site.
In this way if it intends to understand the existing crossing between social cinema and relations, in view of that such social representations are characterized by the existing exchanges between individual and society, being understood that seventh art can serve of palco to unchain it of such manifestations of exchange. 1. CHARACTERISTICS OF the BRAZILIAN NEW CINEMA Of the many concepts of cinema bred around of the world the Brazilian New Cinema was sobressaiu that was had in our country as ' ' the great annihilator of the cinema convencional' '. Differentiated of other cinematographic styles this new form of flmica construction cineastas made to grow in Brazil the interest of a composed group for young, a necessity to almost run away from the North American aesthetic standard and its characteristics that if came back, that solely for a type of commercial film. ' ' The New Cinema looked for, over all, a cultural independence for the Brazilian film. This did not mean to have only national subjects, but to find a cinema capable to translate the reality on the basis of national aesthetic authentically brasileira.' ' (FIGUEIRA, 2004, P. 31) the bankruptcy of the great cinematographic producers of So Paulo in middle of the decade of 1950 culminated with the sprouting of idealizers who bet in the cinema of social critical matrix. Completely inserted in the process of affirmation of the favored groups less, Glauber Rock and plus a series of cineastas and thinkers of the time the passions observed the cinematographic movement as being the liberator of all, and in its many speeches added: ' ' I continue closed with my position of a cinema third-mundista. An independent cinema of the economic and artistic point-of-sight, that does not leave the aesthetic creativity to disappear on behalf of a commercial objetividade and of a imediatismo poltico.' ' The citation of Glauber Rock summarizes the thought of the young cineastas of the time that had interest for productions of low budget directed toward the Brazilian reality.